Showing posts with label Turquoise. Show all posts
Showing posts with label Turquoise. Show all posts

Thursday, May 20, 2010

Painting: Raven Matrix

My primary medium, art jewelry, has often given me pause when working with the beautiful stones at my disposal. I love the matrix patterns found in turquoise stones, and have often wondered what they would look like in a larger scale. This gave rise to the bright idea of doing large paintings that would look like huge stones to grace your living spaces, just as the small gems grace your body. This is the first painting done in this theme: Raven Matrix

Actual size, 20" X 24"
I modeled the color and matrix patterns after one of my favorite stones: Carico Lake Turquoise from Lander County, Nevada. As I was sketching some guidelines to paint the matrix, I noticed a pattern that looked a lot like a raven in flight ... so, I pursued that theme and enhanced it! I like ravens.

To enhance the idea that it was a large cut gemstone, I did the painting on a Convexo canvas, one that is stretched over rounded stretcher bars, so the edges would be beveled like a cabochon-cut stone. I also limited the gloss varnish to the turquoise-colored areas, because the softer matrix stone seldom takes a polish like turquoise itself.

The painting is 20" X 24", and is ready to hang - no frame needed. The asking price is $1200, and you can have me ship it to you by calling me here at the studio: (505) 296 -1400. I haven't figured out how to do giclee reproduction prints yet, because of the beveled edges, so this one is it! It's also the first one in the series, so let me know if you have something else in mind - I'll be glad to work with you. Watch this space for other stones, too!

DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Sunday, January 18, 2009

Sculpture: Ancestral Stories

This sculpture was inspired by the many fascinating petroglyphs that can be found not just here in Albuquerque, but around the world. Before cyberspace, before paper, there was the process of recording one's vision, one's concepts, one's ideas ... in stone. Designs and symbols were meticulously chipped out of solid stone, exposing lighter layers below the oxidized surface, communicating... what? There are many theories about the content these petroglyphs were meant to communicate, but they could well have been, as this sculpture suggests, stories - Ancestral stories.
This mixed media Shamanic sculpture , created in 1995, stands 34 3/4" tall, including the walnut base. I started with a plank of wood, and carved it to look like stone formations - perhaps those that may be seen in a cliff or mountainside. When I felt the shapes were about right, I painted the wood with a combination of gesso mixed with sand, to give it more of the texture of stone. This was followed by many layers and washes of acrylic artists' color to stain and color and glaze the surface to look more like oxidized stone.

I then proceeded to engrave petroglyphs of my own design (no attempt to be historically accurate here - they are a composite of the many shapes I have studied) into the surface of the "stone".
The endcaps that contain the top & bottom ends of that monolithic section are hand hammered brass, with triangular accents in copper, brass and gold soldered in place to form a pattern on the surface. The arms and legs of the piece are ebonized birch, and the hands are handcrafted in bronze. The face is composed of turquoise mosaic, hand-cut and pieced together over a carved stone face, ground smooth and polished as one stone. the staff is wood, with bronze and copper accents. Additional bezel-set turquoise stones have been added as accents - one in the approximate location of the heart, and another on the walnut base. The artist's signature plate and title plate complete the base.

This piece sold to one of my good collectors in the Eastern U.S. The price of that one was about $4800 back in '95, but a similar piece - a variation on the theme - can be made for a higher price today. Contact me for details at (505) 296-1400, or Email me at: David (at) StewartArt (dot) com.

DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED


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Sunday, January 11, 2009

Jewelry Art: Moon Castle

This is actually an illustration of a piece I proposed to make. I made a close approximation of it many years ago, and titled it Fortress of the Heart. It was sold to a wonderful lady named Lilly Lawrence, world renowned beauty and Malibu philanthropist. Lilly was dubbed "The People's Princess" by New York Newsday and the "Rose of Shiraz" by the New York Times.

She lived in a castle - the only one in Malibu - called Castle Kashan. Unfortunately, in the fires that swept through Malibu a couple of years ago, she lost everything, including her treasured castle necklace. Luckily, she wasn't hurt, but many wonderful artworks and treasured memories were lost in the flames.

For some reason, I've been unable to locate photos of that original piece, but reconstructed it to the best of my recollection in this proposal. One day soon, I hope to make it for her. In the original, I painted a miniature painting of the courtyard scene tucked away behind the drawbridge ... but in the remake, I think I'll feature a miniature portrait of Lilly in her gown. This was originally made as a variation on the first piece in this small series, titled "Ivory Tower" shown elsewhere in this blog.

DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

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Wednesday, January 7, 2009

Jewelry art: Collar Choker


I've done quite a few variations on this choker over the years. This one shows three stones - green turquoise, spiderweb chalcosiderite (once called "New Landers"), and blue turquoise - but I've also made it with one large stone, or with a small stone stacked on a larger stone, or with a laminated mosaic stone.
I find asymmetry in design to be much more captivating than symmetry. This one has a unique hanging system as well: Either of the two hooks on the sides will come undone to release the choker, and a small "S" hook in the back can gather up a length of chain to shorten it, making its hanging length adjustable.

If you have a preference for stones, contact me - we'll discuss prices and delivery time! You can reach me at the studio at (505) 296-1400, or email me at David (at) StewartArt (dot) com.

DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Friday, February 15, 2008

Jewelry Art: "Ivory Tower" pendant

"Ivory Tower"
click image to enlarge

This piece from my archives, completed many years ago, was almost 5 inches tall. I don't know what originally gave me the idea that hanging a building around your neck would be good jewelry design, but this was the second successful effort in that vein. The first one, titled "the Castle", was one of the very first large-scale ambitious pieces I ever made. This variation is more refined than the first, because I developed wax-carving skills by the time I designed the Ivory Tower - the Castle was handwrought, using different techniques.

This piece is done in sterling silver with 14K gold accents. The towers are made of old ivory, inlaid with fossil walrus ivory bricks. The large lower stones are Fire Agates - these are a form of chalcedony with an interior color-play similar to opal ... but fire agates are found only in Mexico and Arizona! They are tricky stones to cut, to reveal the fire within. The "moat" is inlaid with Afghani Lapis Lazuli, and the leaves on the side are made of malachite and faustite laminated together.

The tiny little door is hinged on the bottom like a drawbridge, and when it is open, it reveals a miniature painting on a tiny linen canvas stretched over wood. The door itself is made from Brazilian Cocobolo, a variety of rosewood, and is framed in gold, with a tiny clasp to keep it closed and a little chain to support it when open. The painting is of a little knight in armor, with a heart on his shield - the Guardian of the wearer's heart!

A third piece on this theme was also designed, with predominantly turquoise inlaid towers, called Fortress of the Heart, that was sold to Lilly Lawrence, the People's Princess. It featured the same tower layout, with even more complex inlay in the bottom stones, and another painting of the courtyard scene behind the door.

A piece of this complexity would be $25,000 - 30,000 today .... much more if it were solid gold. Call me at the studio (505) 296-1400) if you would like me to make a fortress for your heart!

DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Saturday, January 5, 2008

Wedding Set with Turquoise and Diamonds

Click images to enlarge

Laurie Fernandez
was the director of Weems Artfest for many, many years... in fact, she just retired. But a few years ago, on the occasion of their 50th wedding anniversary, Laurie commissioned me to make new matching wedding rings for herself and her husband, Bernie. She wanted to use 2 large diamonds she had, plus a number of smaller ones to accent, and she wanted to incorporate turquoise in the designs, as well. I came up with a page of sketches for her to choose from. After a couple of alterations to zero in on the design, these are the ones I came up with.


I can use your stones, perhaps some that you inherited in other jewelry, or provide brand-new diamonds in whatever quality and size is required. These designs are one-of-a-kind, but they illustrate what I can do to accommodate your desires - there's almost no limit on what we can come up with together! Call me at the studio at (505) 296-1400 to discuss your preferences, or Email me at David (at) StewartArt (dot) com. Be sure to give me at least a couple of months to complete your design before the wedding! Custom designs take a little more time.

Click images to enlarge
DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Wednesday, March 21, 2007

Sculpture: MUSE


The Muse is the traditional Spirit that inspires Artists, Poets and other creative people. The imagery I've carved in deep relief in the body section is representative of the things that inspire me: Light, space, geometry and organic/ natural shapes, rhythm, high contrasts in color and value, and the creative works of artists through the ages.

In the execution of the carving itself, as well as on the back of the piece, I have carefully preserved the chisel and tool marks, as well as the natural cracks in the wood, to create a rich, rustic flavor, and to remind the viewer that it is only by the labor of the hand that such creative works come into being.
The body of the piece is hand-carved from a solid heavy plank of Poplar, and the carving is polychromed with acrylic artists' colors accented with composite gold-leaf. The arms and legs are carved from warm-toned Oak, while the hair, which ends in a ponytail on the back of the piece, is Ebonized Oak. The face was created by overlaying hand-cut turquoise mosaic, piece-by-piece, over a carved wood base... then the assembly was ground and polished as a single large stone. The sculpture sits atop an 85-pound slab of Arizona Moss-rock. Resting in a depression carved in the Muse's left hand is a polished Brazilian rutilated Quartz crystal ball, symbolizing the "prophetic" nature of the artists' work: the dreams of artists today inevitably become the realities of tomorrow.

The piece stands 67” tall on a stone base that is 23” wide X 21” front-to-back. I envision this work of art as a greeting in a foyer or entryway, or as an accent in a great room to the side of a fireplace (but not too close!). It is for display indoors only, not to be exposed to the elements (as would be the case for any fine painting). The bottom of the stone has heavy felt pads attached, to protect your tile or wood floors.


Documentation sent with the piece is a Certificate of Authenticity, which includes the artist resume, artist statement, and a list of awards. Also included is the Appraisal of Replacement value, certified & signed by the artist. The piece will be crated & shipped in two pieces: the sculpture itself, and the stone base. The Quartz crystal ball will be packaged separately & sent via first-class mail as a third package.

UPDATE: THIS PIECE IS NOW PART OF A PRIVATE COLLECTION. UPON ITS RELEASE, IT WAS PRICED at US $17,500. Given standard appreciation rates, a similar piece could be done for you, and would be approximately US $26,000 today (2008) Email me for details:
David@StewartArt.com
Or call me personally at (505) 296-1400
DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Jewelry Art: Sylvanspell


"Sylvanspell" (click to enlarge)

Possibly the largest necklace I've ever made, titled "Sylvan Spell". This was a combination of one-of-a-kind casting & handwrought components in Sterling Silver & 14K gold, inlaid with a variety of stones. Each leaf is actually 2 stones cut together in aesthetic combinations of color: turquoise & tigereye, faustite & malachite, etc. The large stone at the bottom is a huge green turquoise nugget, overlaid with smaller turqoise stones forming a path leading up to the door, which is made of cocobolo wood set in gold. It opens up to reveal a tiny painting on a miniature linen canvas of the interior - including a little cat sitting on a rocking chair by the wee fireplace (inset). Each sprig of 3 or 4 leaves is a seperate link in the "chain" that supports the tree. Rather than hang such a heavy necklace on a chain, I designed a silver yoke to bear the weight comfortably. This piece SOLD for $13,500, but a similar necklace would be considerably more today.
DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Objet d'Art: Spirit Egg


"Spirit Egg" (click image below to enlarge)

......was a custom piece done for the famous actor & artist, Anthony Quinn. He collected Eggs, so I designed this one in my own style. I first created a large egg in sterling silver, with a hidden hinge that allowed it open & close with no evidence of the fact on the outside. I then cut individual turquoise pieces to fit together perfectly and covered the entire surface, and then ground & polished the outside smooth. One piece of turquoise was carved in a spirit face and inlaid amongst the other stones. The inside of the egg was encrusted with silver "teardrops", which were polished to contrast with the patinated background, like stars in the night sky. Hidden inside the egg are loose individual carvings of more spirit faces, done in mammoth ivory, stream pebbles, and turquoise. A similar piece today would run about $7500.
DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED